Boycotting Trends.

Though she keeps up a fairly consistent touring schedule these days, a London appearance by June Tabor has become a rarity and, therefore, s...

Fiona Shaw swaggers magnificently through the first half of Deborah Warner’s thrillingly messy production of Mother Courage and Her Children...

Phil Claydon’s Lesbian Vampire Killers is a film so blatant in its misogyny and homophobia that it almost has a quaint charm about it. Almo...

Broken Embraces starts stodgily, builds to a spectacular middle, and then unravels at the end. The film’s pairings, doublings, frames-withi...

With Ricky still unreleased in the UK and apparently unlikely to be any time soon (a pox on British cinema distributors!), the lucky Toront...

Any film worth its salt requires a second viewing or more. Watching Arnaud Desplechin’s A Christmas Tale at the London Film Festival last y...